Tamil Nadu’s Kovilpatti, home to India’s traditional calendar art revolution
Vyjayanthimala clad in an incandescent green saree teases a glance as a fish bowl and its silvery-gold inhabitants in the background stand witness. This canvas is signed: M Ramalingam. An archetype of 1980s Tamil cinema and its dramatic allure, this frame frozen in paint, speaks volumes: of a glorious time of hand-drawn skills that later […]
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